Thursday, April 24, 2014

The Sheldon, Metrotix offering online
presale of tickets for Kurt Elling concert

The Sheldon Concert Hall and Metrotix are offering a special one-day-only online pre-sale of tickets for the performance by Kurt Elling on Friday, June 6 at the Sheldon.

Elling (pictured), acclaimed as one of the top male singers in jazz today, definitely has a strong St. Louis fan base, thanks to several previous performances at Jazz at the Bistro, but will be making his Sheldon debut with this show. The concert is the centerpiece of a benefit for the Sheldon Art Galleries, and patron tickets have been on sale for several weeks, so the supply of seats will be limited.

Single tickets for the Kurt Elling concert at The Sheldon go on sale to the general public at 10:00 a.m. this Saturday, April 26, but online buyers can purchase tickets a day early, starting at 10:00 a.m. Friday, April 25 by going to the Metrotix site and using promo code KURT14.

(Edited after posting to fix a garbled sentence.)

Jazz this week: Greater St. Louis Jazz Festival, Chicago Underground Duo, Tommy Halloran's Guerrilla Swing, and more

As the final weekend of Jazz Appreciation Month comes into view, there's still plenty to celebrate, with a variety of jazz and creative music performances happening in and around St. Louis over the next few days. Let's go to the highlights...

Tonight, the 2014 Greater St. Louis Jazz Festival gets underway with a quartet performance led by pianist and ex-St. Louisan Reggie Thomas and his Michigan State University colleague, bassist Rodney Whitaker, at Jazz at the Bistro. Drummer Montez Coleman and saxophonist Willie Akins will round out the group.

Also tonight, the St. Louis Low Brass Collective presents a free showcase at the Sheldon Concert Hall; and the Tavern of Fine Arts will present their monthly "Experimental Arts Open Improv Night" with live improvised music.

Tomorrow, the Greater St. Louis Jazz Festival shifts to the Touhill Performing Arts Center, where Cuban-born trumpeter Arturo Sandoval will headline Friday's show, with the UMSL jazz band, directed by Jim Widner, as opening act. For more about this GSLJF, read this interview  that Widner did with Terry Perkins for St. Louis Public Radio.

Also tomorrow night, the Chicago Underground Duo (pictured), featuring Rob Mazurek (cornet, electronics) and Chad Taylor (drums, percussion), plays at Lemp Neighborhood Arts Center; singer-guitarist Tommy Halloran and his band Guerrilla Swing make their debut in the first of two evenings at Jazz at the Bistro; and the Gaslight Cabaret Festival concludes with the first of two performances this weekend by St. Louis' own Lara Teeter at the Gaslight Theater.

And if all that's not enough, elsewhere around town on Friday Samba Bom will perform a free concert at Ferguson Citywalk; singer Joe Mancuso leads a quartet at Nathalie's; trumpeter Randy Holmes' sextet pays tribute to the music of Duke Ellington at Robbie's House of Jazz; and Sarah Jane and the Blue Notes return to CJ Muggs in Webster Groves.

On Saturday, record collectors will want to make time to stop by "The Gigantic St. Louis DJ Album Sale for Charity" being held in midtown at 3137 Locust St. (east of Compton, one block west of The Fountain on Locust). The sale will feature more than 10,000 LPs, CDs and items of music memorabilia donated by local radio personalities past and present; for more details, see this post from last week.  

Also on Saturday afternoon, mouthpiece guru Mike Lomax will give a free workshop and presentation at Saxquest; and Miss Jubilee plays a matinee at Blues City Deli.

Then Saturday evening, the 2013 Greater St. Louis Jazz Festival concludes with a concert by the Count Basie Orchestra, now directed by trumpeter Scotty Barnhart and featuring Reggie Thomas on piano, at the Touhill. For more about the Basie band and some video samples of performances of their classic repertoire, see this post from last Saturday.

And that's not the only big band show in town on Saturday, as that same evening bassist/trombonist Wayne Coniglio will lead a 35-piece orchestra with guest soloists including Cecil Cope and Elsie Parker in "The Swing of Hearts," a romance-themed program at Florissant Civic Center Theatre.

Also on Saturday night, violinist David McNair and his Gypsy jazz group Tzgane return to Robbie's House of Jazz; and the Ann Dueren Trio performs at Il Bel Lago.

On Sunday, the Dave Dickey Big Band plays their monthly gig at Kirkwood Station Brewing Company, with saxophonist Chip McNeill as guest soloist and the Genesis Jazz Project performing at intermission.

Also on Sunday, guitarists Steve Schenkel, John McClellan, Dave Black and Tom Byrne - aka the guitar faculty of Webster University - team up to perform at Winifred Moore Auditorium on the Webster campus; and saxophonist Tim Cunningham and singer Jeffery Hardin join forces for a concert at the Forest Park golf course clubhouse.

Looking beyond the weekend, on Monday "Blind" Willie Dineen and the Broadway Collective return to  BB's Jazz, Blues & Soups; and on Tuesday, pianist David Parker and drummer Charles "Bobo" Shaw will perform as a duo at Tavern of Fine Arts.

For more jazz-related events in and around St. Louis, please visit the St. Louis Jazz Notes Calendar, which can be found on the left sidebar of the site or by clicking here. You also can keep up with all the latest news by following St. Louis Jazz Notes on Twitter at or clicking the "Like" icon on the StLJN Facebook page.

(If you have calendar items, band schedule information, news tips, links, or anything else you think may be of interest to StLJN's readers, please email the information to stljazznotes (at) yahoo (dot) com. If you have photos, MP3s or other digital files, please send links, not attachments.)

StLJN turns nine

Nine years ago today, the first post went up on St. Louis Jazz Notes. Nearly 3,500 posts later, StLJN remains one of the longest continuously operating outposts of the jazz blogosphere and one of the longest running music blogs in St. Louis, as well as the city's most regularly updated source devoted to news about jazz.

Thanks once again to all the readers, commenters, musicians, music students and educators, presenters, club owners, publicists, tipsters, media people, record label employees, and others who have taken an interest in the site over the years. Your time and continued attention are much appreciated.

As usual, if you have any anniversary wishes, congratulations, questions, suggestions, or complaints, the comments are open.

Wednesday, April 23, 2014

James Hegarty releases new
solo piano album Drop Plunk

Pianist James Hegarty has released a new solo piano album, representing his first foray into solo playing since his 2008 release Antithesis Reflex. The new album Drop Plunk was recorded by Hegarty in his home studio in a week last month, and now is available as a free digital download via CD Baby

Described as "spontaneous explorations of the vast potential of piano sounds - including realtime prepared piano and electronics," the album (pictured) features solo performances on a Yamaha G3 piano that are "sometimes captured by a Korg Kaoss Pad and looped in the background." In addition, rather than setting up prepared piano sounds in advance, Hegarty's "preparations are made and changed, altered, and replaced throughout the course of the performance." 

You can hear previews from Drop Plunk and download the entire album or individual tracks for free here.

Saturday, April 19, 2014

StLJN Saturday Video Showcase:
The basics of Basie

With the Count Basie Orchestra set to close out the 2014 Greater St. Louis Jazz Festival with a concert on Saturday, April 26 at the Touhill Performing Arts Center, our mission here today is a simple one: To share performances of a half-dozen of the most famous and enduring arrangements from the Basie band's repertoire.

Although the band's appearance here will mark 30 years to the day since Basie himself passed away, a series of musicians steeped in the Count's particular musical ethos has continued to direct them in steady touring and the occasional recording, keeping these songs alive for new generations of jazz fans.

Most recently, trumpeter Scott Barnhart, who's played with the Basie band for more than 20 years, took over the leadership last year, and the current pianist is none other than former St. Louisan Reggie Thomas, who now lives and teaches in Michigan. (While Thomas is back in St. Louis next week, he'll also perform on Thursday night at Jazz at the Bistro, co-leading a small group with bassist Rodney Whitaker to kick off the GSLJF.)

You can read a brief history of the Basie orchestra on their website, linked above, but for a more in-depth look at the man and the band, Rutgers University's digital exhibit "One More Once: A Centennial Celebration of the Life and Music of Count Basie." is a fine place to start.

As for our survey of some of Basie's best, the first video clip up above is from a 1943 feature film called Reveille with Beverly, and depicts Basie and the band performing "One O'Clock Jump," a propulsive exercise in blues riffing that served as their theme song in the early years. Although obviously pre-recorded and staged for purposes of the film, it's still a reasonable approximation of what they must have looked and sounded like back then.

Though the blues was central to the first edition of the Basie band, after World War II a "New Testament" version of the group emerged, powered by a more diverse selection of charts from arrangers such as Neal Hefti and Frank Foster, who also played tenor sax in the group and would serve as director for several years after Basie's death.

Hefti's "Li'l Darlin'," shown in the second video in a version recorded in 1960 in Milan, demonstrated that the Basie band could play a delicate ballad as well as swing the blues, and it remains one of the single most beloved pieces in their songbook. The trumpet solo is by Sonny Cohn.

Below that are two selections from a program that Basie recorded in 1965 for the BBC. "Jumpin' at the Woodside" is perhaps Basie's most famous uptempo flag-waver, and in this version, Eddie "Lockjaw" Davis gets off a blistering tenor sax solo that almost brings down the house.

After that, it's "April in Paris," with a signature arrangement devised by organist Wild Bill Davis that features a fake ending - or sometimes, multiple fake endings - followed by the Count cuing the band to hit it "one more time," which you can see at the 2:37 mark in this particular clip.

The last two videos are from a show in 1981 at NYC's Carnegie Hall. Frank Foster's "Shiny Stockings" is another perennial favorite dating back to the 1950s version of the band, and is heard here at a somewhat brisker tempo than on the original studio version.

The final number, "Every Day I Have The Blues," takes the Basie orchestra back to its roots, backing singer Joe Williams in what many jazz fans consider to be the definitive version of this blues standard (which, incidentally, was written and originally recorded by St. Louis pianist Pinetop Sparks).

You can see the rest of today's videos after the jump...

Friday, April 18, 2014

So What: Local News, Notes & Links

Here's the latest wrap-up of assorted links and short local news items of interest:

* There's a new entry on Clark Terry's blog, in which the legendary trumpeter and St. Louis native - who at 93 is physically frail but remains indomitable in spirit - details his recent efforts to "keep on keepin' on."

Said blog post also alerted us to a nice feature story about Terry published earlier this year in Allegro, the magazine of Local 802 of the American Federation of Musicians.

* Tomorrow is the annual Record Store Day, and St. Louis music purveyors including Euclid Records, Apop Records, and Vintage Vinyl will celebrating variously with live music, in-store guest DJs, food and drink, special limited edition releases, and more. You can get a good overview of the goings-on around town via this article by the Riverfront Times' Mike Appelstein.

Also, as mentioned (or, depending upon your point of view, threatened) in this space last week, once again this year I'll be a guest DJ at Vintage Vinyl, spinning jazz, blues, funk, soul and who-know-what-else inside the store for an hour starting at 4:00 p.m.. Don't say you haven't been warned.

* Modern dance company MADCO's premiere production of "Liquid Roads," which incorporated live jazz and blues from a band led by trumpeter Brian Casserly, was reviewed by Chris Gibson of Broadway World and by UMSL's student paper The Current.

* One of singer Storm Large's sold-out performances last weekend for the Gaslight Cabaret Festival was reviewed by Chuck Lavazzi of KDHX.

* The Route 66 Jazz Orchestra has posted on Facebook an album of photos from their most recent performance at First Unity Church of St. Louis.

* Also on Facebook, the Sidney Street Shakers have posted an album of photos from their performance at Schlafly's Repeal of Prohibition Festival 2014.

* Want to win free tickets to see Harry Connick Jr. on Saturday, May 3 at the Peabody Opera House? The Post-Dispatch's GO! section is doing a giveaway on Facebook; see their page for details.

* Trumpeter Steve Lilley of the St. Louis Stompers is going this weekend to Fox Lake, WI to pay tribute to legendary trumpeter Bunny Berigan as part of the annual Bunny Berigan Jazz Jubilee.

* As predicted, the controversial bill granting a Los Angeles company exclusive rights to produce music festivals in downtown St. Louis on Memorial Day and Labor Day weekends was passed this week by the St. Louis board of aldermen. Get the details in stories from from Nick Pistor of the Post and Kris Wernowsky of the RFT.

* The Jazz Journalists Association has announced the winners of its 2014 award in the musician and recording categories, and although several have performed in St. Louis during the past year, the only award tied to a local musician is the Historical Record of the Year, which went to Miles Davis' Miles Davis Quintet Live in Europe 1969 on Columbia Legacy (pictured). You can see the complete list of JJA award winners here.

* The Goldenrod Showboat, which for decades hosted jazz, ragtime and theater performances on the St. Louis riverfront, has gotten one more reprieve from the scrapyard, as the not-for-profit group trying to save the boat has reached an agreement to regain ownership from the Illinois River dock owners who bought it at auction last year. Paul Schankman of Fox 2 News also covered the story here.

* Jazz radio update: This Saturday on Radio Arts Foundation-St. Louis, Calvin Wilson's program "Somethin' Else" will feature the songs of Jerome Kern, as interpreted by musicians including Keith Jarrett, Jackie McLean and Bill Frisell.

After that on "The Jazz Collective," host Jason Church promises spins of Cindy Bradley, Vincent Ingala, Bob Baldwin,Freddie Hubbard, Larry Carlton, Candy Dulfer, B.D. Lenz, as well as St. Louis' own Grant Green, Tommy Halloran, Elliott Ranney, Jim Stevens, and Dawn Weber, plus more.

Wilson's program airs at 8:00 p.m. Saturdays, followed by Church at 9:00 p.m., on 107.3 FM, 96.3 HD-2, and online at

Elsewhere on the HD dial, longtime local radio veteran Rick Sanborn has joined the on-air staff at Hip 96.3 HD-3. Sanborn has been heard on several different St. Louis broadcast outlets including yesteryear smooth jazz station WSSM, and for several years also lent his name to a summer series of smooth jazz concerts at the Pageant. Fans can hear him on the new gig from noon to 6:00 p.m., Monday through Friday.

St. Louis DJs selling 10,000 items to benefit local charity on Saturday, April 26

If this Saturday's Record Store Day festivities prove insufficient to slake your thirst for vinyl and other music collectables, here's something else to anticipate:  St. Louis radio DJs past and present have donated an estimated 10,000 records, CDs and items of music-related memorabilia to be sold for the benefit of a local charity in a one-day "pop-up sale" on Saturday, April 26.

"The Gigantic St. Louis DJ Album Sale for Charity" will be open to the public from 10:30 a.m. to 3:00 p.m. on April 26 at 3137 Locust St. (east of Compton, one block west of The Fountain on Locust). Avid collectors who'd like first crack at the goodies on offer can pay a $10 fee for early access at 9:30 a.m.

“Many of my old radio friends talked about selling off their album collections for years, so making it a group effort with current on-air personalities to raise money for the hungry here in St. Louis was enthusiastically received by all,” said the event's organizer Ron Stevens in a news release. Stevens, who was on KSHE during the station's early days as "Real Rock Radio," now is associated with the website, which is presenting the event.

All proceeds will benefit the not-for-profit organization Caritas Connections, which "collects donated items and distributes them to worthy organizations in the St. Louis metropolitan area, who use them to clothe, feed and assist the needy in our community."

To date, DJs known for their time on-air at stations including KSHE, WIL, KDHX and KTRS have donated items, with more being added daily until the date of the sale. You can find out about new donations on the event's Facebook page.

Said to be one the most collectable items at the sale: a test pressing of the Eagles album Hotel California signed by the band (pictured). But the news release also promises "rare albums valued from $100-200" as well as "one-of-a-kind KSHE promotional items from the ‘70s, many never before made available to the public." To help fatten the take a bit - it is for charity, after all - some of the choicer collectables, such as the Eagles album, will be offered by silent auction or raffle.

A number of DJs familiar to longtime local radio listeners also will be on hand to work the event, including Stevens, Joy Grdnic, Mark Klose, Joe "Mama" Mason, John Ulett, Ted Habeck, Drew Johnson, Jim Singer, Rik Anthony, Chuck Lavazzi, and Tim Rakel, along with "several other local personalities and musicians." Sales of pizza by the slice and bottled water, donated by (respectively) Imo's and Dierberg's, also will benefit Caritas Connection.

Thursday, April 17, 2014

Peter Martin to perform Saturday, May 17
at benefit for New City School

Pianist Peter Martin has played some big venues while working with the likes of Dianne Reeves, Chris Botti, and the "Newport Jazz Festival: Now 60" tour. And when he's home in St. Louis, Martin can be heard most frequently at the Sheldon Concert Hall, which seats slightly more than 700.

Now those who'd like to hear Martin (pictured) in a slightly more intimate setting will have the chance when he plays a benefit for New City School on Saturday, May 17 in the Founder's Hall of the school, 5209 Waterman Blvd in the Central West End.

"Jazz It Up - An Evening With Peter Martin" begins at 6:30 p.m. with a reception featuring wine, beer, and dessert, followed by a concert at 8:00 p.m.. Gene Dobbs Bradford of Jazz St. Louis also will be on hand to offer "commentary and insights throughout the program."

The event is open to the public, but only 250 tickets will be sold. Tickets are $40 per person, and can be purchased online now at

Having recently completed nearly two months touring with the all-star Newport celebration, Martin this week on Twitter wrote that he hopes to do more with his own group in the near future, and posted the video below, which features him leading a quartet in his original song "Cuba...New Orleans." (The clip was recorded at the Lotos Jazz Festival in Poland, and also features East St. Louis' own Terreon Gully on drums, along with bassist James Genus and guitarist Peter Sprague.)

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